Karul Projects

SILENCE

SILENCE by Karul Projects

SILENCE is an urgent call for TREATY, highlighting the stories and struggles of Blak communities since colonisation. Through SILENCE, Karul Projects take their place in the lineage of fierce First Nations makers calling for Sovereignty.

Choreographed by Thomas E.S. Kelly, SILENCE is a powerful dance performance, featuring seven performers on a stage slowly engulfed in dirt, representing the call for Land Back.


“Structurally fragmentary and narratively fluid, this innovative work functions as an artistic journey of emotion, movement, music and meaning. Clear in its purpose, strong in its message and fierce in its delivery, SILENCE will be sure to leave its mark on ongoing conversations concerning sovereignty, power, recognition and Aboriginal voice. Irreverent but deadly serious, this provocative performance achieves every aim it sets out to accomplish.”
— (4 star review, Perth 2024 - ArtsHub, Nanci Nott)

Is this the Commonwealth of Australia? Yes? This is your Landlords speaking!

Through raw physicality, humorous skits, and a power anthem soundtrack, we disrupt the silence of a 250+ year struggle. The same questions echoed through generations. SILENCE pulls the Treaty conversation out from under the rug and slams it back on the table. Because the conversation about a TREATY cannot be silenced in Australia.

Funny and irreverent and reverberating with power… If you think you know Australian contemporary dance, you haven’t seen SILENCE. With thrashing live drumming and a raw aesthetic, Thomas E.S. Kelly has combined intimate storytelling with significant moments in Australian history as SILENCE interprets an ongoing conversation for a new generation.

There’s SILENCE between the stars as the Emu travels across the night sky. There’s SILENCE in the dancer’s energy when they hit the cut, the rupture between rhythms and movement creating a vibrational glitch for the spirit world to enter. It’s also the deafening SILENCE under White noise.

We have marched across our Country. We have had promises made and promises broken. We stand on a stage, to the beating of a live drum kit, as bodies thrash through white noise to continue the conversation. Towards action. Towards resolution.

Jhindu Lawrie’s audacious rock drumming full of dynamism, grunge and raw power calls back to Thomas E.S. Kelly’s choreography, in brash, yet vulnerable and visceral scenes, with Kelly’s trademark charm and wit interspersed in between.


Karul Projects is an emerging First Nations professional contemporary dance company based on Minjungbal Country, founded in 2017 by Thomas E.S. Kelly, Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu, and Taree Sansbury, Kaurna, Narrunga and Ngarrindjerri.

Image by Simon Woods

Tour dates and locations:

THE MAJ, Boorloo (1-2 MAY)

His Majesty’s Theatre (Perth)

1 & 2 May 2024

TICKETS


SYDNEY OPERA HOUSE, Warrane (8-11 MAY)

SOH Studio (Sydney)

8 - 11 May 2024

TICKETS

 

60min duration, no interval

Ages 12+

Water based haze, dirt, dust and strobe lighting will be used in this performance. 

Aboriginal and Torres Strait Islander audiences are advised that this show references people who have died.


About Karul Projects

Thomas E.S. Kelly and Taree Sansbury, met at NAISDA Dance College on the Central Coast of New South Wales in 2009. They have worked professionally together ever since, creating their own dance-theatre works, choreographing and performing for companies nationally. Thomas and Taree created Karul Projects in 2017, to create more opportunities for employment and skill building for First Nations artists.

Creatives / Cast

Thomas E.S. Kelly (Choreographer/Writer/Performer) Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu
Taree Sansbury (Rehearsal Director/Performer) Kaurna, Narrunga and Ngarrindjerri
Vicki Van Hout (Choreographic Dramaturg) Wiradjuri
Alethea Beetson (Dramaturg) Kabi Kabi/Gubbi Gubbi and Wiradjuri
Jhindu-Pedro Lawrie (Percussion Composer/Performer) Mirning and Wuthathi
Benjin Maza (Performer) Yidindji, Birri Gubba, Meriam Mer and Tanna Island
Glory Tuohy-Daniell (Performer) Indjalandji-Dhidhanu and Alyewarre
Keia McGrady (Performer) Githabul Migunberri-Yugumbeh
Olivia Adams (Performer) Wulli Wulli
Tamara Bouman (Performer Understudy) Birpai
Sam Pankhurst (Music/Sound Designer)
Karen Norris (Lighting Designer)
Selene Cochrane (Costume Designer)

Header image by Gregory Lorenzutti

 

The national tour has received financial assistance from the Australian Government through Creative Australia, its arts funding and advisory body.

The Perth presentation is supported by the Queensland Government through Arts Queensland's Grow Market Development Fund.

SILENCE is produced by BlakDance. The premiere production in 2020 was co-commissioned by BlakDance, HOTA Home of the Arts, City of Gold Coast, Queensland Performing Arts Centre and Brisbane Festival, with support by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body and the Queensland Government through Arts Queensland.

SILENCE - 2023 Tour

SILENCE by Karul Projects

SILENCE is an urgent call for TREATY, highlighting the stories and struggles of Blak communities since colonisation. Through SILENCE, Karul Projects take their place in the lineage of fierce First Nations makers calling for Sovereignty.

Choreographed by Thomas E.S. Kelly, SILENCE is a powerful dance performance, featuring seven performers on a stage slowly engulfed in dirt, representing the call for Land Back.

Dynamic live percussion drives the dancers' exploration of past, present, alternate realities and dreamscapes of the milky way and Murun, the emu in the sky.

Karul Projects is an emerging First Nations professional contemporary dance company based on Minjungbal Jogan, founded in 2017 by Thomas E.S. Kelly, Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu, and Taree Sansbury, Kaurna, Narrunga and Ngarrindjerri.

“These are conversations I have often had with Indigenous and non-Indigenous friends, colleagues and acquaintances over many years. You have added a strong new dimension and a tool for renewal and re invigorations.”
— Audience member

Image by Simon Woods

Tour dates and locations

  • The Art House, Wyong
    (23 March 2023) 

    TICKETS

  • Goulburn Performing Arts Centre, Goulburn

    Friday, 31 March 2023 | 11:00 AM - 12:00 PM

    Saturday, 01 April 2023 | 07:30 PM - 08:30 PM

    TICKETS

  • The Lighthouse Theatre, Warrnambool

    (28 April)

    TICKETS

  • Bunjil Place, Narre Warren

    (3 May 2023)

    TICKETS

  • Frankston Arts Centre (Southside Festival), Frankston

    (5 May 2023)

    TICKETS

  • Bendigo Venues & Events - Ulumbarra Theatre, Bendigo

    (10 May 2023)

    TICKETS

  • The Odeon Theatre, Adelaide

    (19 + 20 May 2023)

    TICKETS

  • Orange Civic Theatre, Orange

    (26 May 2023)

    TICKETS

  • Capitol Theatre, Tamworth

    (20 July 2023)

    TICKETS

  • Wagga Wagga Civic Theatre, Wagga Wagga

    (25 July 2023)

    TICKETS

  • Bathurst Memorial Entertainment Centre, Bathurst

    (28 July 2023)

    TICKETS

  • Merrigong Theatre Company - Illawarra Performing Arts Centre, Wollongong

    (9 - 12 August 2023)

    TICKETS

  • 7:30pm - Thursday 17 August 2023

    7:30pm - Friday 18 August 2023

    TICKETS

 

SILENCE is about the space in between. The conversations not being heard and the responses that are muted. Through the beating of a drum, bodies thrash through frequencies to uncover what lies in the SILENCE. 

There’s SILENCE between the stars as the Emu travels across the night sky. There’s SILENCE in the dancer’s energy when they hit the cut, the rupture between rhythms and movement enabling a vibrational glitch where the spirit world can enter. It’s also the deafening SILENCE under white noise. The same questions echoed through generations.

We have marched across Country. We have had promises made and promises broken. In SILENCE we pull the unresolved conversations from under the rug and slam them back on the table. Because the conversation about a TREATY will never be silenced.
— Karul Projects


60min duration, no interval

Ages 12+

Water based haze and strobe lighting will be used in this performance. 

Aboriginal and Torres Strait Islander audiences are advised that this show references people who have died.


About Karul Projects

Thomas E.S. Kelly and Taree Sansbury, met at NAISDA Dance College on the Central Coast of New South Wales in 2009. They have worked professionally together ever since, creating their own dance-theatre works, choreographing and performing for companies nationally. Thomas and Taree created Karul Projects in 2017, to create more opportunities for employment and skill building for First Nations artists.

Creatives / Cast

Thomas E.S. Kelly (Choreographer/Writer/Performer) Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu
Taree Sansbury (Rehearsal Director/Performer) Kaurna, Narrunga and Ngarrindjerri
Vicki Van Hout (Choreographic Dramaturg) Wiradjuri
Alethea Beetson (Dramaturg) Kabi Kabi/Gubbi Gubbi and Wiradjuri
Benjin Maza (Performer) Yidindji, Birri Gubba, Meriam Mer and Tanna Island
Keia McGrady (Performer) Githabul Migunberri-Yugumbeh
Glory Tuohy-Daniell (Performer) Indjalandji-Dhidhanu and Alyewarre
Olivia Adams (Performer) Wulli Wulli
Jhindu-Pedro Lawrie (Percussion Composer/Performer) Mirning and Wuthathi
Sam Pankhurst (Music/Sound Designer)
Karen Norris (Lighting Designer)
Selene Cochrane (Costume Designer)

 

The national tour has received financial assistance from the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

SILENCE is produced by BlakDance. The premiere production in 2020 was co-commissioned by BlakDance, HOTA Home of the Arts, City of Gold Coast, Queensland Performing Arts Centre and Brisbane Festival, with support by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body and the Queensland Government through Arts Queensland.

SILENCE - 2022 Tour

SILENCE by Karul Projects

SILENCE is an urgent call for TREATY, highlighting the stories and struggles of Blak communities since colonisation. Through SILENCE, Karul Projects take their place in the lineage of fierce First Nations makers calling for Sovereignty.

Choreographed by Thomas E.S. Kelly, SILENCE is a powerful dance performance, featuring seven performers on a stage slowly engulfed in dirt, representing the call for Land Back.

Dynamic live percussion drives the dancers' exploration of past, present, alternate realities and dreamscapes of the milky way and Murun, the emu in the sky.

Karul Projects is an emerging First Nations professional contemporary dance company based on Minjungbal Jogan, founded in 2017 by Thomas E.S. Kelly, Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu, and Taree Sansbury, Kaurna, Narrunga and Ngarrindjerri.

Image by Simon Woods

Tour dates and locations

  • HOTA Home Of The Arts, Gold Coast (31 August - 1 September) 

    Kombumerri

    TICKETS

  • Bulmba-ja Arts Centre, Cairns (7 September) (presented in partnership with CIAF)

    Yidinji

    TICKETS

  • Dancenorth, Townsville (9 September) (workshop)

    Wulgurukaba

    ENQUIRE

  • Proserpine Entertainment Centre, Proserpine (9 September) (digital presentation) Giya

    TICKETS

  • Eungella State School, Eungella, (12 September) (schools workshop)

    Yuwi and Wiri

    ENQUIRE

  • Old Art Gallery (Pilbeam Theatre), Rockhampton, (14 September) (workshop for all)

    Darumbal

    ENQUIRE

  • Pilbeam Theatre, Rockhampton (15 September) 

    Darumbal

    TICKETS

  • Logan Entertainment Centre, Logan (11 October) 

    Yugambeh

    TICKETS

  • Redland Performing Arts Centre, Cleveland (14 October)

    Quandamooka

    TICKETS

 

SILENCE is about the space in between. The conversations not being heard and the responses that are muted. Through the beating of a drum, bodies thrash through frequencies to uncover what lies in the SILENCE. 

There’s SILENCE between the stars as the Emu travels across the night sky. There’s SILENCE in the dancer’s energy when they hit the cut, the rupture between rhythms and movement enabling a vibrational glitch where the spirit world can enter. It’s also the deafening SILENCE under white noise. The same questions echoed through generations.

We have marched across Country. We have had promises made and promises broken. In SILENCE we pull the unresolved conversations from under the rug and slam them back on the table. Because the conversation about a TREATY will never be silenced.
— Karul Projects


60min duration, no interval

Ages 12+

Water based haze and strobe lighting will be used in this performance. 

Aboriginal and Torres Strait Islander audiences are advised that this show contains depictions of people who have died.


About Karul Projects

Thomas E.S. Kelly (Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu man), and Taree Sansbury (Kaurna, Narrunga and Ngarrindjerri), met at NAISDA Dance College on the Central Coast of New South Wales in 2009. They have worked professionally together ever since, creating their own dance-theatre works, choreographing and performing for companies nationally. Thomas and Taree created Karul Projects in 2017, to create more opportunities for employment and skill building for First Nations artists.

Creators / Artists

Thomas E.S. Kelly (Choreographer/Writer/Performer) Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu
Taree Sansbury (Rehearsal Director/Performer) Kaurna, Narrunga and Ngarrindjerri
Vicki Van Hout (Choreographic Dramaturg) Wiradjuri
Alethea Beetson (Dramaturg) Kabi Kabi/Gubbi Gubbi and Wiradjuri
Amber Nofal (Performer)
Benjin Maza (Performer) Yidindji, Birri Gubba, Miriam Mer and Tanna Island
Edan Porter (Performer) Gomeroi
Kiara Malcolm (Performer) Gija and Ngāti Hauā
Tiana Pinnell (Performer)
Jhindu-Pedro Lawrie (Percussion Composer/Performer) Mirning and Wuthathi
Sam Pankhurst (Music/Sound Designer)
Karen Norris (Lighting Designer)
Selene Cochrane (Costume Designer)

 

The Queensland tour received financial assistance from the Queensland Government through Arts Queensland’s Touring Queensland Fund. The support of touring funds assists significant employment of Queensland First Nations creatives and enables the struggle of colonial histories to be shared across Queensland to audiences in regional communities.

SILENCE is produced by BlakDance. The premiere production was co-commissioned by BlakDance, HOTA Home of the Arts, City of Gold Coast, Queensland Performing Arts Centre and Brisbane Festival, with support by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body and the Queensland Government through Arts Queensland.

Weredingo

Weredingo is the fifth full-length work by Karul Projects, the Queensland-based First Nations contemporary dance company led by Thomas E.S. Kelly (Minjungbal-Yugambeh, Wiradjuri an Ni-Vanuatu), and Taree Sansbury (Kaurna, Narrunga and Ngarrindjeri). The work premiere at Brisbane Festival 2021.

Image Credit: Mick Richards

Image Credit: Mick Richards

Choreographers Thomas E.S. Kelly and Taree Sansbury started a multifaceted approach to the subject of shape-shifting four years ago, commencing with a mockumentary and performance in Sydney at PACT, which interviewed people who revealed that they have other, animal selves.

The first development ‘conjured everyday fantasies of transformation and then moved on to something more serious: dance performance imbued, at first impressionistically and then quite specifically, with First Nations cultural shapeshifting’. Keith Gallasch REALTIME.

Over the next few years, the creative developments took place back on Karul’s homelands, as the company relocated back to the Gold Coast (2018). 

Further creative developments began to further explore the work from a narrative and text based perspective. The original pitch to Brisbane Festival was that the work would be mostly text based theatre, of which this has undergone its own shapeshifting journey to now include animations and projections by Studio Gilay (who animated Cooked) shot at Wirrim Studio on the Gold Coast.

Lighting and production is being done by an all Indigenous team: Chloe Ogilvie (trained by Mark Howett) has managed to safely cross borders from WA and is plotting the lighting now, dramaturgy is happening largely over zoom with highly accomplished director, actor and playwright Isaac Drandic (who worked on Jacob Boehme’s Blood on the Dance Floor) and Mamu man Simon Cook holds the ship steady as the BlakDance Production Manager.

Add in sound design by Sam Pankhurst and lifelike animal costumes by the talented Selene Cochrane and the work boasts incredible production values and high quality design. A surprising addition to the cast is Grayson Millwood from The Farm (Throttle).

Weredingo was the first of BlakDance’s produced works to undertake a new model for feedback on a work in development through BlakForm. The Critical Response Process (CRP) was a facilitated process that allowed the makers to question their work in open dialogues with industry and community leaders. We were delighted to undertake this initiative earlier this year with Joyce Rosario, a first-generation Canadian of Filipina descent, privileged to live on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. 

Brisbane Festival

Previews 3 & 4 September, Opening Night 7th, until 11 September, 2021

Weredingo is the  fifth full-length work by Karul, an emerging Queensland-based First Nations contemporary dance company led by Thomas E.S. Kelly (Minjungbal-Yugambeh, Wiradjuri and Ni-Vanuatu), and Taree Sansbury (Kaurna, Narrunga and Ngarrindjeri).

Weredingo is about shapeshifting. It's about universal stories of First Nations creationism and the history beneath shapeshifting, stories far older than familiar western tropes. Weredingo is also about duality, cleverly utilising the metaphor of shapeshifting to reveal tokenism, blackfishing, racial profiling and allyship. This powerful dance theatre work combines Karul's distinctive contemporary choreography with narrative storytelling, animation and projection for a thrilling and interactive dance experience.


Director/Choreographer Thomas E.S. Kelly

Rehearsal Director/Performer Taree Sansbury

Performers Benjin Maza and Grayson Millwood 

Costume Designer Selene Cochrane

Sound Designer Sam Pankhurst

Lighting Designer Chloe Ogilvie

Dramaturg Isaac Drandic

Animation Studio Gilay

Videography Wirrim Studio

Producer BlakDance

 

Weredingo was produced by BlakDance and supported by the Queensland Government through Arts Queensland, the City of Gold Coast, the City of Melbourne through Arts House, and was developed in the CultureLAB program with the assistance of Creative Victoria. Weredingo has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body and Queensland Theatre. Weredingo is commissioned by BlakDance, through BlakForm. BlakForm is funded through Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative.

Weredingo

IMG_9224.JPG

by Karul Projects

When something is not understood, fear, hatred and humour can arise. Shapeshifting for First Nations people is our past, present and future. As our bodies shift through the space we draw parallels to Black Lives Matter, Black Deaths in Custody and the many injustices for people in this country who shapeshift on a daily basis to not be killed. 

Weredingo investigates the practice of shapeshifting throughout the modern world. Through Karul’s signature sharp movement, text, song and projection, we reveal superhuman shapeshifting. Human forms turn animal and return to the land. From our Dreaming to the now First Nations people are descendants of, and continue to be, shapeshifters.

Karul developed Weredingo across 2018-2020 through support from Dancenorth (2018), Metro Arts (2019), PACT (2019), Arts House’s CultureLAB (2020).

Weredingo undertook creative development in May 2021 at The Farm, Gold Coast which included an industry and Community Sharing.  

Weredingo was the first of BlakDance’s produced works to undertake a new model for feedback on a work in development through BlakForm. The Critical Response Process (CRP) was a facilitated process that allowed the makers to question their work in open dialogues with industry and community leaders. We were delighted to undertake this initiative earlier this year with Joyce Rosario, a first-generation Canadian of Filipina descent, privileged to live on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.


Weredingo is produced by BlakDance and is supported by the Queensland Government through Arts Queensland, the City of Gold Coast, the City of Melbourne through Arts House, and was developed in the CultureLAB program with the assistance of Creative Victoria. Weredingo has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body and Queensland Theatre. Weredingo is commissioned by BlakDance, through BlakForm. BlakForm is funded through Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative.